

Das Profil Elena, die Zeugnisse/Zertifikate und die Kontaktdaten wurden von unseren Experten geprüft
Elena
- Tarif 95CHF
- Antwortzeit 1h

95CHF/h
1. Unterrichtsstunde gratis
- Klavier
Russian-trained concert pianist for serious online piano coaching, adults and exam preparation
- Klavier
Unterrichtsort
Wir empfehlen
Elena eine von ihrer Community geschätzte Lehrkraft. Sie wurde empfohlen für ihre Zuverlässigkeit, Lehrmethoden und Qualität der Kurse. Eine gute Wahl, um selbstbewusst Fortschritte zu machen.
Über Elena
I am a Russian-trained concert pianist and teacher with 23 years of teaching experience and more than two decades of professional performing experience.
I graduated with honours from the Academic Music College at the Moscow State Tchaikovsky Conservatory and from the Gnessin Russian Academy of Music. I also completed postgraduate studies at the Gnessin Academy and later taught there for several years.
As a soloist and chamber musician, I have performed in concerts, festivals and international tours across Europe, Asia, South America and the CIS. My professional work has also included masterclasses, competitions and jury work.
I am a First Prize winner of the Salieri-Zinetti International Chamber Music Competition in Verona and the Max Reger International Chamber Music Competition in Karlsruhe. I have also recorded two chamber music CDs for the Russian classical label Melodiya.
My teaching is rooted in the Russian classical tradition, in which technique, listening, musical thought and artistic expression are developed together. I translate this professional training into clear and practical work appropriate to each student’s level.
I work with adult beginners, returning pianists, advanced amateurs, motivated teenagers, and students preparing for ABRSM, Trinity, music-school or conservatory examinations, auditions and performances. My international teaching experience allows me to work effectively with students from different cultural and educational backgrounds.
My aim is not simply to increase the amount of repertoire a student can play. Each new piece should become both an artistically convincing result and a step towards stronger reading, more secure rhythm and technique, a more refined ear, clearer musical understanding and increasingly independent work.
Über den Unterricht
- Alle Niveaus
- Englisch
- Deutsch
- Russisch
Alle verfügbaren Sprachen für diesen Kurs :
Englisch
Deutsch
Russisch
Good piano teaching should achieve two things at once: help the student play the music convincingly now, and develop the skills needed to approach the next piece with greater independence.
A student may prepare one piece after another while important foundations remain weak. Note reading is still slow, rhythm insecure, technique poorly organised, and practice consists mainly of repeating the piece and waiting for the teacher to correct it.
My lessons are designed so that the repertoire and the pianist’s own abilities develop together.
Reading, rhythm, coordination, technique, listening, memory, harmony, form, phrasing and expression are developed as parts of one musical system through the music the student is learning.
Before repeating something at the instrument, we first establish what is happening in the score, how the material is organised, where the music is moving, what it should sound like, and what the hands need to do to produce that result. We then work phrase by phrase, connecting musical intention with movement and technical organisation.
This approach does not place analysis above practical playing. It prevents the hands from repeating without a clear musical and physical purpose. Technique serves sound and freedom; understanding of the score serves expression; and a convincing performance remains an essential result.
For beginners, this means developing secure reading, rhythm, coordination, listening and healthy technical habits from the start. Returning and continuing pianists rebuild missing foundations and learn to organise their practice more effectively. Advanced students refine sound, technique, structure, interpretation, memory and performance reliability.
I prepare students for ABRSM and Trinity examinations, as well as music-school and conservatory assessments, auditions, performances and demanding classical repertoire. Exam preparation includes the musical and technical foundation required for the level, not only the polishing of a fixed programme.
The free introductory lesson offered by Superprof is used to discuss your goals, previous experience, lesson format and whether this approach is the right fit.
The first full working lesson allows me to assess your current foundation, repertoire and practice habits and establish the most useful order of work. Afterwards, you receive a concise written summary of the main priorities and direction of study.
Focused one-off consultations and video assessments are also available for musicians who need professional guidance on a specific problem.
Regular lessons are intended for students who value consistent weekly work and long-term musical development rather than occasional correction of isolated pieces.
A small number of regular weekly places are available for the 2026–27 academic year.
Empfehlungen
Die Empfehlungen stammen von Verwandten, Freunden und Bekannten der Lehrperson.
Elena taught me to read music with much greater intelligence. Instead of seeing the score as a long sequence of individual notes, I started to recognise patterns, harmonic functions, phrase direction, and structural relationships. This made reading less stressful, more musical, and much more efficient.
What stood out to me as a parent was that Elena taught my son to think, not just to repeat. Practice became more organised, more conscious, and far less dependent on constant prompting. He understood better what he was trying to achieve and how to work towards it. That change in independence was just as important as the musical improvement itself.
Before studying with Elena, I approached polyphonic music in a very flat way. I could play the notes, but I was not really hearing several voices at once, nor understanding how they relate to one another. She changed that completely. For the first time, I began to hear inner voices as living lines with their own direction and character. Polyphony became clearer, more expressive, and much less intimidating.
As a parent, I appreciated above all the clarity and direction Elena brought to my daughter’s lessons. We had met other teachers who were pleasant and encouraging, but the work often remained vague. With Elena, there was immediately a stronger sense of structure, purpose, and real development. My daughter became not only more technically secure, but also far more independent in her practice.
One of the most valuable things I learned with Elena was how to memorise music intelligently. I had always depended on mechanical repetition, which made performing stressful and unreliable. She showed me how to build memory through structure, harmony, physical logic, and attentive listening. Memorising became much more secure and much less exhausting.
I came to Elena as an adult student with previous experience, but also with many unresolved habits and a rather chaotic way of practising. She immediately recognised both the technical and musical reasons behind the problems. What I value most is that she does not simply correct details in isolation — she reorganises the student’s whole way of hearing, thinking, and working. That level of insight is rare.
Working with Elena changed my understanding of what piano study can be. Before, I treated technique, reading, sound, and expression as separate things, and my progress always felt fragmented. Elena teaches in a very different way: she connects everything into one coherent musical language. This made my practice much more intelligent and my playing much more alive. Her lessons are serious, precise, and deeply thoughtful.
Als fortgeschrittener Schüler habe ich bei Elena gelernt, Musik nicht nur zu spielen, sondern zu verstehen. Sie verbindet die russische Klavierschule mit klarer, analytischer Methodik und hat mir geholfen, meine Interpretation und technische Präzision deutlich zu verbessern
Die Online-Unterrichtsstunden bei Elena sind professionell, individuell angepasst und sehr motivierend. Besonders schätze ich ihre Fähigkeit, komplexe musikalische Zusammenhänge verständlich zu erklären und gleichzeitig eine langfristige künstlerische Entwicklung zu fördern
Mehr Empfehlungen anzeigen
Preise
Tarif
- 95CHF
Paketpreise
- 5 Std.: 475CHF
- 10 Std.: 950CHF
Gratis-Unterricht
Die erste Unterrichtsstunde ermöglicht es Dir, Deine Lehrkraft kennenzulernen und ihr Deine Wünsche für die nächsten Unterrichtsstunden genau zu nennen.
- 1Std.
online
- 95CHF/h
Video von Elena
Weitere Lehrkräfte für Klavier in Zürich
Jonas
Zürich & online
- 60 CHF/h
- 1. Unterrichtsstunde gratis
Luca
Zürich & online
- 90 CHF/h
- 1. Unterrichtsstunde gratis
Antonina
Zürich
- 120 CHF/h
- 1. Unterrichtsstunde gratis
Irena
Zürich & online
- 90 CHF/h
Olya
Zürich & online
- 60 CHF/h
- 1. Unterrichtsstunde gratis
Dionisios
Zürich & online
- 80 CHF/h
- 1. Unterrichtsstunde gratis
Siro
Zürich
- 80 CHF/h
- 1. Unterrichtsstunde gratis
Sophie
Zürich & online
- 42 CHF/h
- 1. Unterrichtsstunde gratis
Edwin
Zürich & online
- 45 CHF/h
- 1. Unterrichtsstunde gratis
Maria
Zürich & online
- 65 CHF/h
- 1. Unterrichtsstunde gratis
Rebecca
Zürich & online
- 120 CHF/h
- 1. Unterrichtsstunde gratis
Ina
Schlieren & online
- 45 CHF/h
- 1. Unterrichtsstunde gratis
Noemi
Regensdorf & online
- 20 CHF/h
- 1. Unterrichtsstunde gratis
Emin
Buchs & online
- 50 CHF/h
- 1. Unterrichtsstunde gratis
Dalia
Uster & online
- 76 CHF/h
- 1. Unterrichtsstunde gratis
Boris
Bülach & online
- 25 CHF/h
- 1. Unterrichtsstunde gratis
David
Winterthur
- 60 CHF/h
- 1. Unterrichtsstunde gratis
Mariia
Pfäffikon & online
- 45 CHF/h
- 1. Unterrichtsstunde gratis
Michael
Winterthur & online
- 65 CHF/h
- 1. Unterrichtsstunde gratis
Marion
Baden
- 50 CHF/h
- 1. Unterrichtsstunde gratis
-
Lehrerkräfte für Klavier-Unterricht anzeigen
